The first time a character attacks a monster, ask the player to describe a distinguishing physical characteristic of it.Įach technique reveals some of the benefits and risks of asking players to help describe the game world.Īsking to describe a killing blow helps players reveal their characters and grants players extra attention. When a character kills a monster, ask the player to describe the fatal strike. Two ways are particularly quick and easy. In Return of the Lazy Dungeon Master, Mike “Sly Flourish” Shea recommends a few ways to invite players to embellish the game. Players who help create the game world feel a connection and stake in the world that can’t come from visiting someone else’s creation.Įven tiny player contributions might enhance your game. Players can create content that helps develop and reveal their characters. When players add creative work, the DM’s job becomes easier. The game world can become richer than the work of one imagination. When dungeon masters and players join imaginations and build on shared ideas, D&D campaigns gain benefits:
Players contribute ingredients that conventionally come from the DM. But in some games, the players’ creativity extends beyond their characters. In a typical D&D game, the dungeon master describes the game world, the players tell what their characters do, and then the DM describes the results of the PCs’ actions. Then as now, creativity leads to more creativity.
In a way, D&D got started because Gary let players like Dave create in his world. In the foreword to the first Basic Set, Gary wrote, “Dave located a nice bog wherein to nest the weird enclave of ‘Blackmoor,’ a spot between the ‘Giant Kingdom’ and the fearsome ‘Egg of Coot.’” Dave’s Blackmoor campaign became the foundation to D&D.
The group imagined a Great Kingdom and parceled out territories to players to develop for their local games. In 1970, Dungeons & Dragons co-creator Dave Arneson joined the Castles & Crusades Society, a group of miniature gamers formed by D&D co-creator Gary Gygax.
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